P, L, and R are triangle flips
Parallel keeps the root and changes mode. Leading-tone and relative keep two common tones and move one voice to a neighboring pitch class.
Walk through major and minor triads by flipping one voice at a time. The Tonnetz shows the harmonic space; the pitch circle shows the current chord; the voice ribbon shows which notes stay and which move; the trace explains each P, L, or R transformation under the active walk mode. For function-driven sequences (Markov chains over diatonic functions, cadence templates, phrase memory), see Chord progressions.
Neo-Riemannian theory treats smooth voice leading as the grammar. Distant-looking chords can be neighbors when only one note moves by a semitone or whole tone.
The harmonic lattice unfolds across the screen; the cursor pans to keep your current triad centered. Pitch classes repeat at multiple lattice positions; those repetitions are the same chord on the toroidal view.
Parallel keeps the root and changes mode. Leading-tone and relative keep two common tones and move one voice to a neighboring pitch class.
The voice ribbon shows which two voices held and which one moved. The cost strip plots total semitone motion over time. Neo-Riemannian walks usually stay near one or two semitones even when the chord symbols look remote.
Alternating P/L enters a hexatonic cycle; alternating P/R enters an octatonic region. The cycle indicator lights up provisionally after four matching steps and confirms after six.
The function lens can name each triad relative to a tonic, but it is off by default because the main story here is parsimonious motion, not cadence pressure.